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There’s some secret sauce inside that Slate won’t tell anyone. I don’t know exactly what it is, but it sounds amazing. Waves Kramer Master Tape ($29-249. VTM has been praised by pro engineers for its extreme authenticity, because every aspect of tape is carefully reproduced. This authenticity is due to years of intense study from Slate Digital CTO Fabrice Gabriel. Using VTM on your tracks and mixes will make your mixes warmer, smoother, punchier, and more analog! VTM has been praised by pro engineers for its extreme authenticity, because every aspect of tape is carefully reproduced. This authenticity is due to years of intense study from Slate Digital CTO Fabrice Gabriel. Using VTM on your tracks and mixes will make your. Kramer MPX is a good tool to take off the digital edge/sharpness of recording in the box (ITB). I also own the Slate Digital Virtual Tape Machine plug-in. I have never used or heard the UAD tape plug-ins. Compared to VTM, I prefer Kramer MPX for heavy saturated tape effects compared to VTM.
- Kramer Master Tape Vs Slate Vtm Nieuws
- Kramer Master Tape Vs Slate Vtm Flooring
- Kramer Master Tape Vs Slate Vtm Siding
Quick question… What’s a good way to inject analog life into a cold digital mix?
Well, you could start with recording your tracks using a tape machine… But in this digital world, who’s got time for that?
So one of your best bets is a tape emulation plugin. And this post will introduce a few of them to you. Plus go over a few of their features.
So, what are the best tape emulation plugins, you say?
Quick answer: Check out the Virtual Tape Machines (VTM) by Slate Digital and Satin by u-he. Those two are our top recommends, with Satin being the cheapest.
But there are some other great Waves plugins here for you if you’d want to take look at those.
Now, let’s take a closer look 🙂
Table of Contents
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Tape Emulation Plugin Buying Guide
Back in the day of analog produced music, engineers used big tape machines to record tracks (Wikipedia link). In fact, within the age of the DAW you can actually see this “tape machine” metaphor in use in the way the digital audio workstation works.
On your arranger view, there are strips of rows that contain either your MIDI notes or waveform of your audio files. You can cut these up, splice, copy, past, move them around… These are your “tapes.”
But they won’t have that “tape sound” because, well, they are visual representations of digits on a computer screen. A great GUI to work with… but not like the real thing.
In comes the tape saturation plugin, which is used to emulate the sound of those old analog tape machines of yore, giving you that warmth that is usually limited in the digital realm.
How does Tape Saturation work?
Tape saturation introduced ‘warmth’ into the music recorded on tapes in earlier times.
When instruments or vocalists were taped and re-taped multiple times and mixed with one another at various stages producing, you would’ve gotten various stages of warmth in your mix.
Each of these tape recordings had minor noise and distortions that are not evident in each recording. But they do accumulate in the final mix to introduce a warming effect.
As time went on, analog tape recording in modern day digital technologies eliminated these distortions. But we also lost that warm sound effect that the noise introduced.
We call these noises “audio saturation.” More about what that is from this Music Radar article.
Moving forward, software developers, working with engineers, created a plugin to deliberately introduce noise into the tracks, hence emulating the effect of tape records.
This technique is referred to as Tape Emulation and is typically applied by adding plugins to your desired track, or to your entire mix. The tape saturation plugins can be applied to the output of each instrument or can be collectively applied to the master track, or even both!
One of the cool “side effects, so to speak, is that you not only get a more rich sound with grit and character, but a tape emulation plugin can really help to booth the apparent loudness off you mix if done right.
With all that said, let’s take a look at best saturation plugins to get.
Best Tape Emulation Plugins to Get
Several tape emulation plugins are available on the market today. Here are some of the most recommended online.
Virtual Tape Machines (VTM) by Slate Digital
The VTM plugin by Slate Digital provides a tape effects on music recordings by emulating two authentic tape machines, a 16-track 2-inch tape machine, and a ½ inch stereo mastering deck, and providing control of bias, tape speed, and tape type. These options give you sufficient flexibility to apply tape effects on recordings, plus control the level of warmth to hear in your tracks.
It requires a minimum Quad Core i5 processor and 4GBs of RAM and supports multiple plugin formats for both MAC and Windows computers.
Several users recommend the use of Slate’s VTM plugin although the majority of them highlight that it tends to make the sound slightly louder, so you might need some sound normalization, just as a heads up.
Since it emulates the effect of two good-sounding tape machines, it is known to appropriately mimic the tape effect, provided the controls are well adjusted. You can check out thread over at Gearslutz to see what others say.
The plugin’s interface is also super user-friendly which allow you to adjust the controls freely. It’s also quite affordable, and many producers say that it’s worth its cost. Check it out.
Demonstration
Satin by u-he
Another great plugin, the Satin plugin by u-he models the different components of a tape machine, rather than the machine as a single unit, and emulates their interaction between one another to produce the desired distortion. The key feature of this saturation plugin is its flexibility, as it gives you the ability to select the parts of the machine to be emulated… it’s as if you’re constructing your own customized tape machine!
It also allows producers to introduce the desired delay and flange, by introducing up to 4 tape head emulations and phase shifting capabilities. Also, Satin is featured with a decoder that can be used for format conversion of the recorded track. Pretty good.
As far as compatibility goes, Satin can operate on MAC, Windows and Linux operating systems with as low as 1 GB RAM, yet the higher the available RAM, the faster its operation will be.
Many users prefer Satin because of its high flexibility and a large number of parameters available for user control, which makes them able to reach a specific tone or a particular feel that they’re looking for. It’s particularly preferred on the subtle settings where it is found to provide the best output. However, although its specifications mention only 1GB RAM requirements, several users say that it consumes a lot of CPU resources if a large number of variables are included in the emulation process simultaneously. So if you have a powerful laptop or computer with recommended specs, you should be good.
Demonstration
Waves J37 Tape
Many of you may not need any introductions when it comes to Waves. As for the plugin itself, Waves J37 Tape was built by emulating the famous Abbey Road Studio tape machine together with three tape emulation models. Collectively the plugin provides accurate emulation of the tape effect with good warmth. Image having an Abbey Roads tape machine in your DAW? Anyway, it enables bias, tape speed, wow and flutter controls among others, on a machine level emulation, as well as a tape delay feature with three delay types.
Compatibility-wise, it operates on MAC and Windows operating systems and requires 8GB of RAM for smooth operation, and is supported by most audio hosts. The original price of this product is quite high for some, but Waves is known for offering big discounts from time to time, so take a look to see if you’re lucky.
Users are mostly highly satisfied with its delay implementation capabilities, a few maybe not so about its bulky interface. Also, since the recommended settings state 8GB RAM, it is quite heavy on the host CPU. Moreover, it is quite sensitive and may produce extreme effects to minor changes in the distortions applied. Good plugin overall, but take those considerations into account.
Demonstration
Waves Kramer Master Tape
Another plugin by Waves, the Kramer Master Tape is an earlier tape emulator produced before they introduce J37. Kramer Master is modeled on a vintage ¼” reel-to-reel machine and has adjustable controls for bias, wow, flutter and tape speed. Kramer Master is slightly more expensive than the J37 product of the same company although J37 was released later.
Reviews on Waves Kramer Master are quite controversial, particularly when compared to the J37 of the same company. While some users are satisfied with it, the majority of users who experienced the Kramer Master were disappointed with the output and had to purchase the J37 to get the effects they desire. It is thought that Waves released Kramer as a response to the release of Slate’s VTM and hence was rushed through and not-well-thought-of. Nevertheless, users have agreed on its desirability for some effects, but it is not recommended as a complete all-in-one product.
That said, it works on MAC and Windows operating systems and requires 8GBs of RAM. If you want to check it out, take a look.
Demonstration
TapeDesk by Overloud
Overloud TapeDesk is a tape emulator plugin that combines both a tape machine model and multiple console models to provide the desired warm analog effect. In particular, it simulates a 2” 24-track tape machine and three analog consoles while faithfully replicating the interaction between all four parts.
Perhaps one of the best reasons for getting TapeDesk is that it requires low CPU resources to simulate all the sub-components in the original units it models. So if you’re watching your computer’s power resources, this could be a good option for you.
There are generally positive reviews from users online. If you’re interested in demoing the product online, some were usually frustrated by the complicated procedure needed to get an offline demo. Once it is operational, users are satisfied with its output response, particularly with its noticeable low CPU usage.
Demonstration
Final Thoughts
That said, which one to get?
Well, the Satin plugin by u-he provides a larger number of controls when compared to Slate’s VTM. This is because it allows you to introduce the effect of each component of the tape machine on its own rather than controlling the overall tape machine response. For that reason, Satin wins as the best tape saturation plugin.
Nevertheless, Satin requires more CPU resources for the emulation process which could be quite heavy on the computer used. Slate’s VTM will be less demanding, so it wins out on Satin for that. Keep in mind the cost of both products is quite comparable to Satin being slightly cheaper.
Kramer Master and J37 are both products by Waves. Users who have experienced both tend to prefer J37 as it provides a larger number of presets and hence better control and better outputs. Nevertheless, J37 has been reported to consume higher CPU resources; yet this means that it applies deeper processes to the records which justify its more desirable output.
While Overloud’s TapeDesk may not provide the best or most desirable output when compared to the other four products, it is highly recommended for people with scarce CPU resources as its usage is significantly low. This highly-desirable feature gives this product a strong plus point when compared with all others.
Both Waves products (J37 and Kramer Master) are more expensive than the other plugins described in this article.
Satin by u-he is the cheapest whereas Slate’s VTM and TapeDesk by Overloud have almost the same price.
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The musicians and music producers often try to get the analog warmth into their digital tracks, but the process is a lengthy one. By process, we mean the manual one, like recording the tracks via tape recorder. But isn’t that the old time-taking method? Being the people of the modern generation, we should get smarter and use a plugin to sort this situation.
Tape emulation plugins are here for quite some time now, but if you are still unaware of them, let us introduce with them, well, a few and the best ones from the lot.
Contents
- 1 What are the best Tape Emulation Plugins
What to check in an emulation plugin?
When it was the time of analog music production, big tape machines were used by the engineers to record tracks, which is the reason of using the word “tape machine” while working with DAW (digital audio workstation). When you see the arranger view, the MIDI notes or the waveforms of the audio files can be seen as the strips in rows. You can cut, paste, or split them.
Kramer Master Tape Vs Slate Vtm Nieuws
But then also, you cannot get the tape sound in the tracks. That is because the visual representation of the soundtracks will be seen on the computer screen, and the GUI is great to work with, but definitely it is not the real recording with a tape recorder. This is why you need a tape emulation plugin which will convert the tracks of the digital era to the warm analog tape machine created the soundtrack.
How Tape Saturation works
Tape saturation is basically the key to put the warmth into the musical or vocal track. In older times, the sound or vocal tracks were recorded or pre-recorded at different stages. Each stage would have added some kind of noise or distortions, which went unnoticed individually but added the warmth at the accumulation of the tracks at the final stage.
The modern-day technologies of digital recording eliminated this noise and distortion successfully, but along with that, the warmth and realness are also lost. This minor noise is called audio saturation. Now, the modern engineers have worked with the software developers to create plugins or software to emulate the “noise” deliberately to get the tape recorder effect to the tracks. So the name “tape emulation” has been thus derived for certain reasons.
Using plugin to the desired tracks or the mix, to any particular instrumental track or to the compiled master track, or to both the items, will result in the tape recorder like tracks. If the emulation is done rightly, you can omit the extra loudness of the track as well as the get the gritty and rich soundtracks.
What are the best Tape Emulation Plugins
- VTM bySlate Digital
Kramer Master Tape Vs Slate Vtm Flooring
The Virtual Tape Machines by Slate Digital gives the tape recording type feeling to the digitally recorded tracks by employing two kinds of machines. One is a 16 track 2-inch tape machines and a ½ inch stereo mastering tracks. This emulator also provides control over bias, tape type and speed. There is sufficient flexibility so you can apply the effects on recordings, and also you can control the amount of warmth to put into your tracks.
Basic requirement to use this plugin is Quad-core i4 processor and 4 GB RAM and it supports various plugin formats on both Mac and Windows computers. Most of the users are happy with it, though a few complaints about the outcome of the plugin is slightly louder than required. So you need to normalize the output once the emulation is done, to keep things right. The uses of two well-adjusted tape machines obviously produce the appropriate copy of tape recording sound, and the interface is quite user-friendly. This emulator comes with an affordable price tag so you may try your hand at this to get the old-time effect for your tracks.
- Satinby u-he
This plugin tried to mimic the different parts of the tape recording machine, rather than copying the whole machine effects. This is best for getting the desired effect of interaction among the components to produce the track with the right amount of distortion. Thus you can assume that the flexibility of this plugin is its key feature. You can produce the exact distortion coming out from a particular part of a tape recorder to moderate the track, and the output will be customized.
This emulator comes with 4 tape head emulations and phase-shifting ability. This allows the producer to induce necessary delay and flange within the track. Also, format conversion can be done with this plugin as it provides the feature of a decoder which can break the recorded track as well.
Compatibility of this plugin is also unquestionable. It works well with Mac, Windows and Linux perfectly. It can even work on 1 GB RAM, however, the higher the RAM is, the faster it will operate. Users love this plugin for its flexibility. This one has larger control over available parameters, so a specific tone or feel can be availed by using this emulator. When subtly is required within the tracks, Satin is undoubtedly the best option for the musicians.
The only con mentioned by the users is, it takes up a huge space of CPU if a large number of variations are included in the working process. So a powerful laptop with higher RAM is best suited to use this plugin.
- WavesJ37 Tape
Kramer Master Tape Vs Slate Vtm Siding
Waves J37 is already a popular plugin among musicians and music lovers. Waves 37 was built by emulating the Abbey Road Studio tape machine along with three other tape emulation models. These three models always provide the accurate tape kind of warmth to the soundtrack together. The facilities that Abbey Road Studio features are available with this plugin, such as bias enabling, tape speed, flutter and wow control are to name a few. It gets you the machine level emulation where you will be able to delay the track in three different types.
As per the compatibility, it works with the Mac operating system as well as Windows. At least 8 GB RAM is required if you want to use this emulator to work smoothly. Most of the audio hosts are supported by this plugin. Though this plugin is actually quite high priced, it always offers some kind of discounts. If you wish to avail it, keep checking for the price drop. Users verdict goes for it, as they love this one for its superb delay implementation.
The emulator comes with a bulky interface which may cause a problem for some. The 8 GB RAM requirement is also something to worry about, as it eats up a lot of space on your CPU. The effect that it produces with minor change is a great benefit though. Basically, this one can be called a great plugin with some considerations.
- WavesKramer Master Tape
This one is another product created by Waves. Kramer Master Tape was produced before J37. This one is created based upon the model of a vintage ¼” reel to reel machine with adjustable control over bias, flutter, wow and tape speed. This one costs a bit more than J37. When compared with J37, the reviews of Kramer Master Tape are mixed and controversial. Some say this one is a good emulator while others say they are not satisfied with this one.
According to the negative feedback, the output is disappointing and the users had to buy J37 to get the right kind of effect on their soundtrack. It is said that Waves had come up with Kramer after the release of Slate’s VTM to compete with them, but the plugin was not really well planned and well-thought-of. This one cannot be called an all-rounder product, but you can trust this one for some of the effects to perform well.
Mac and Windows operating system with a good 8 GB RAM willwork for it.
- Tapedeskby Overloud
Tapedesk is a rare emulator which is designed by combining both a tape machine and different console models. This one imparts the desired analog warmth to your soundtrack. It works with a 2” 24 track tape machine and three analog consoles. This one smartly conjugates all three parts and the output is perfect replica of their interaction. Its requirement for low storage space on the CPU is a great reason to buy it.
Though it needs less space, it can finely simulate all the sub-components in the original unit. That way it never compromises with its working ability. Thus if you are looking for a great plugin which will work lightly on your DAW, surely you can choose this one.
Users have always spoken well about this emulator. The complicated procedure of conjugating three systems, however, has frustrated a few users though. But once you get the grip on this plugin, you are sure to be satisfied with the output.
The conclusion
Satin plugin definitely provides more controls than Slate’s VTM, as Satin lets you work with each component of tape machine individually and thus you get better controlling over the modifications. On the other hand, VTM offers the total response of a tape machine. Thus Satin wins over VTM on this ground.
However, Satin requires more space on your CPU when the emulation process is continuing. VTM takes up lesser space and thus is lighter on your CPU. The costs of both the plugin are nearly the same, Satin being slightly on the cheaper side.
Kramer and J37 are both Waves product. Depending upon the users’ experience, you can find that J37 offers better control over a large number of presets, and thus resulting in better output than Kramer. But along with that, this is a heavier plugin to be worked on the CPU. But still, it wins over Kramer as its working process is quite methodical and deeper than Kramer.
Overloud has produced the Tapedesk which is good for the ones who have taken up music as their hobby. This one has many facilities with a lower space consumption of CPU, but compared to the other four emulators mentioned above, this one will score lesser for features.
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