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Name
flac - Free Lossless Audio Codec
Total download size: 1.20GB Total play length: 37:43. Cover art included, liner notes not included 'Harvest' is the fourth album by the Canadian musician Neil Young, released on February 1, 1972 on Reprise Records.It featured the London Symphony Orchestra on two tracks and vocals by noted guests David Crosby, Graham Nash, Linda Ronstadt, Stephen Stills, and James Taylor. Filename C:David Lanz - East of the Moon FLAC05 - On the Edge of a Dream.wav Peak level 95.5% Track quality 100.0% Test CRC CCE8E92D Copy CRC CCE8E92D Accurately ripped (confidence 11) AEEBEDEA Copy OK Track 6 Filename C:David Lanz - East of the Moon FLAC06 - And Time Stood Still.wav Peak level 97.5% Track quality 100.0% Test CRC 2F0D54BA. TITLE 'Mischievous Moon' PERFORMER 'Jill Barber' REM GENRE 'Pop' REM DATE '2011' REM DISCNUMBER 1 REM TOTALDISCS 1 REM DISCID 8809040B REM REPLAYGAINALBUMGAIN -6.94 dB REM REPLAYGAINALBUMPEAK 0.997711 FILE '01 Mischievous Moon.flac' WAVE TRACK 01 AUDIO TITLE 'Mischievous Moon' ISRC CAO371106701 REM REPLAYGAINTRACKGAIN -5.69 dB.
Synopsis
flac [ OPTIONS ] [ infile.wav | infile.aiff | infile.raw | infile.flac |infile.oga | infile.ogg | -.. ]
- The Moon Neo 260D was able to reproduce the special tonal quality of Jackson's vibe playing in a natural way, while other DACs and CD players often tend to harden it or make it somewhat steely.
- We don’t know anyone with hi-res files that high, but rest assured the Moon will play all your 24-bit WAV, FLAC and AIFF tracks. The streaming section is where the Moon Neo Ace is at its most interesting and versatile. You can stream songs from your laptop or NAS, as long as they’re all connected to the same network.
flac [ -d | --decode | -t | --test | -a | --analyze ] [ OPTIONS ] [ infile.flac| infile.oga | infile.ogg | -.. ]
Description
flac is a command-line tool for encoding, decoding, testing and analyzing FLAC streams.
Options
A summary of options is included below. How to join 001 and 002 files. For a complete description, see the HTML documentation.
General Options
-v, --versionShow the flac version number-h, --helpShow basic usage and a list of all options-H, --explainShow detailed explanation of usage and all options-d, --decodeDecode (the default behavior is to encode)-t, --testTest a flac encoded file (same as -d except no decoded file is written)-a, --analyzeAnalyze a FLAC encoded file (same as -d except an analysis file is written)-c, --stdoutWrite output to stdout-s, --silentSilent mode (do not write runtime encode/decode statistics to stderr)--totally-silentDo not print anything of any kind, including warnings or errors. The exit code will be the only way to determine successful completion.--no-utf8-convertDo not convert tags from local charset to UTF-8. This is useful for scripts, and setting tags in situations where the locale is wrong. This option mustappear before any tag options!-w, --warnings-as-errorsTreat all warnings as errors (which cause flac to terminate with a non-zero exit code).-f, --forceForce overwriting of output files. By default, flac warns that the output file already exists and continues to the next file.-o filename, --output-name=filenameForce the output file name (usually flac just changes the extension). May only be used when encoding a single file. May not be used in conjunction with--output-prefix.--output-prefix=stringPrefix each output file name with the given string. This can be useful for encoding or decoding files to a different directory. Make sure if your string isa path name that it ends with a trailing '/' (slash).--delete-input-fileAutomatically delete the input file after a successful encode or decode. If there was an error (including a verify error) the input file is left intact.
--keep-foreign-metadataIf encoding, save WAVE or AIFF non-audio chunks in FLAC metadata. If decoding, restore any saved non-audio chunks from FLAC metadata when writing thedecoded file. Foreign metadata cannot be transcoded, e.g. WAVE chunks saved in a FLAC file cannot be restored when decoding to AIFF. Input and output must beregular files (not stdin or stdout).--skip={#|mm:ss.ss}Skip over the first number of samples of the input. This works for both encoding and decoding, but not testing. The alternative form mm:ss.ss can be usedto specify minutes, seconds, and fractions of a second.--until={#|[+|-]mm:ss.ss}Stop at the given sample number for each input file. This works for both encoding and decoding, but not testing. The given sample number is not included inthe decoded output. The alternative form mm:ss.ss can be used to specify minutes, seconds, and fractions of a second. If a '+' (plus) sign is at the beginning,the --until point is relative to the --skip point. If a '-' (minus) sign is at the beginning, the --until point is relative to end of the audio.--oggWhen encoding, generate Ogg FLAC output instead of native FLAC. Ogg FLAC streams are FLAC streams wrapped in an Ogg transport layer. The resulting fileshould have an '.oga' extension and will still be decodable by flac.
When decoding, force the input to be treated as Ogg FLAC. This is useful when piping input from stdin or when the filename does not end in '.oga' or '.ogg'.
--serial-number=#When used with --ogg, specifies the serial number to use for the first Ogg FLAC stream, which is then incremented for each additional stream. When encodingand no serial number is given, flac uses a random number for the first stream, then increments it for each additional stream. When decoding and no number isgiven, flac uses the serial number of the first page.Analysis Options
- --cue=[#.#][-[#.#]]
- Set the beginning and ending cuepoints to decode. The optional first #.# is the track and index point at which decoding will start; the default is thebeginning of the stream. The optional second #.# is the track and index point at which decoding will end; the default is the end of the stream. If the cuepointdoes not exist, the closest one before it (for the start point) or after it (for the end point) will be used. If those don't exist, the start of the stream(for the start point) or end of the stream (for the end point) will be used. The cuepoints are merely translated into sample numbers then used as --skip and--until. A CD track can always be cued by, for example, --cue=9.1-10.1 for track 9, even if the CD has no 10th track.
- -F, --decode-through-errors
- By default flac stops decoding with an error and removes the partially decoded file if it encounters a bitstream error. With -F, errors are still printedbut flac will continue decoding to completion. Note that errors may cause the decoded audio to be missing some samples or have silent sections.
Encoding Options
-V, --verifyVerify a correct encoding by decoding the output in parallel and comparing to the original--laxAllow encoder to generate non-Subset files. The resulting FLAC file may not be streamable or might have trouble being played in all players (especiallyhardware devices), so you should only use this option in combination with custom encoding options meant for archival.--replay-gainCalculate ReplayGain values and store them as FLAC tags, similar to vorbisgain. Title gains/peaks will be computed for each input file, and an albumgain/peak will be computed for all files. All input files must have the same resolution, sample rate, and number of channels. Only mono and stereo files areallowed, and the sample rate must be one of 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, or 48 kHz. Also note that this option may leave a few extra bytes in aPADDING block as the exact size of the tags is not known until all files are processed. Note that this option cannot be used when encoding to standard output(stdout).--cuesheet=filenameImport the given cuesheet file and store it in a CUESHEET metadata block. This option may only be used when encoding a single file. A seekpoint will beadded for each index point in the cuesheet to the SEEKTABLE unless --no-cued-seekpoints is specified.--picture={FILENAME|SPECIFICATION}Import a picture and store it in a PICTURE metadata block. More than one --picture command can be specified. Either a filename for the picture file or amore complete specification form can be used. The SPECIFICATION is a string whose parts are separated by | (pipe) characters. Some parts may be left empty toinvoke default values. FILENAME is just shorthand for '||||FILENAME'. The format of SPECIFICATION is
[TYPE]|[MIME-TYPE]|[DESCRIPTION]|[WIDTHxHEIGHTxDEPTH[/COLORS]]|FILE
TYPE is optional; it is a number from one of:
0: Other
Moon Flac Test Questions
Detective barbie computer games. 1: 32x32 pixels 'file icon' (PNG only)
2: Other file icon
3: Cover (front)
4: Cover (back)
5: Leaflet page
6: Media (e.g. label side of CD)
7: Lead artist/lead performer/soloist
8: Artist/performer
9: Conductor
10: Band/Orchestra
11: Composer
12:
Lyricist/text writer
13: Recording Location
14: During recording
15:
During performance
16: Movie/video screen capture
17: A bright coloured
fish
18: Illustration
19: Band/artist logotype
20: Publisher/Studio
logotype
The default is 3 (front cover). There may only be one picture each of type 1 and 2 in a file.
MIME-TYPE is optional; if left blank, it will be detected from the file. For best compatibility with players, use pictures with MIME type image/jpeg orimage/png. The MIME type can also be --> to mean that FILE is actually a URL to an image, though this use is discouraged.
DESCRIPTION is optional; the default is an empty string.
Twitch plugin after effects cc 2019. The next part specfies the resolution and color information. If the MIME-TYPE is image/jpeg, image/png, or image/gif, you can usually leave this empty andthey can be detected from the file. Otherwise, you must specify the width in pixels, height in pixels, and color depth in bits-per-pixel. If the image hasindexed colors you should also specify the number of colors used. When manually specified, it is not checked against the file for accuracy.
FILE is the path to the picture file to be imported, or the URL if MIME type is -->
For example, '|image/jpeg|||./cover.jpg' will embed the JPEG file at ./cover.jpg, defaulting to type 3 (front cover) and an empty description. Theresolution and color info will be retrieved from the file itself.
The specification '4|-->|CD|320x300x24/173|http://blah.blah/backcover.tiff' will embed the given URL, with type 4 (back cover), description 'CD',and a manually specified resolution of 320x300, 24 bits-per-pixel, and 173 colors. The file at the URL will not be fetched; the URL itself is stored in thePICTURE metadata block.
--sector-alignAlign encoding of multiple CD format files on sector boundaries. See the HTML documentation for more information.-S {#|X|#x|#s},--seekpoint={#|X|#x|#s}Include a point or points in a SEEKTABLE. Using #, a seek point at that sample number is added. Using X, a placeholder point is added at the end of a thetable. Using #x, # evenly spaced seek points will be added, the first being at sample 0. Using #s, a seekpoint will be added every # seconds (# does not haveto be a whole number; it can be, for example, 9.5, meaning a seekpoint every 9.5 seconds). You may use many -S options; the resulting SEEKTABLE will be theunique-ified union of all such values. With no -S options, flac defaults to '-S 10s'. Use --no-seektable for no SEEKTABLE. Note: '-S #x' and '-S #s' will notwork if the encoder can't determine the input size before starting. Note: if you use '-S #' and # is >= samples in the input, there will be either no seekpoint entered (if the input size is determinable before encoding starts) or a placeholder point (if input size is not determinable).-P #, --padding=#Tell the encoder to write a PADDING metadata block of the given length (in bytes) after the STREAMINFO block. This is useful if you plan to tag the filelater with an APPLICATION block; instead of having to rewrite the entire file later just to insert your block, you can write directly over the PADDING block.Note that the total length of the PADDING block will be 4 bytes longer than the length given because of the 4 metadata block header bytes. You can force noPADDING block at all to be written with --no-padding. The encoder writes a PADDING block of 8192 bytes by default (or 65536 bytes if the input audio stream ismore that 20 minutes long).-T FIELD=VALUE, --tag=FIELD=VALUEAdd a FLAC tag. The comment must adhere to the Vorbis comment spec; i.e. the FIELD must contain only legal characters, terminated by an 'equals' sign. Makesure to quote the comment if necessary. This option may appear more than once to add several comments. NOTE: all tags will be added to all encoded files.--tag-from-file=FIELD=FILENAMELike --tag, except FILENAME is a file whose contents will be read verbatim to set the tag value. The contents will be converted to UTF-8 from the localcharset. This can be used to store a cuesheet in a tag (e.g. --tag-from-file='CUESHEET=image.cue'). Do not try to store binary data in tag fields! UseAPPLICATION blocks for that.-b #, --blocksize=#Specify the block size in samples. Subset streams must use one of 192, 576, 1152, 2304, 4608, 256, 512, 1024, 2048, 4096 (and 8192 or 16384 if the samplerate is >48kHz).-m, --mid-sideTry mid-side coding for each frame (stereo input only)-M, --adaptive-mid-sideAdaptive mid-side coding for all frames (stereo input only)-0.-8, --compression-level-0.--compression-level-8Fastest compression.highest compression (default is -5). These are synonyms for other options:-0, --compression-level-0Moon Flac Test Download
Synonymous with -l 0 -b 1152 -r 3-1, --compression-level-1Synonymous with -l 0 -b 1152 -M -r 3-2, --compression-level-2Synonymous with -l 0 -b 1152 -m -r 3-3, --compression-level-3Synonymous with -l 6 -b 4096 -r 4-4, --compression-level-4Synonymous with -l 8 -b 4096 -M -r 4-5, --compression-level-5Synonymous with -l 8 -b 4096 -m -r 5-6, --compression-level-6Synonymous with -l 8 -b 4096 -m -r 6-7, --compression-level-7
Synonymous with -l 8 -b 4096 -m -e -r 6-8, --compression-level-8Synonymous with -l 12 -b 4096 -m -e -r 6
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--fastFastest compression. Currently synonymous with -0.--bestHighest compression. Currently synonymous with -8.-e, --exhaustive-model-searchDo exhaustive model search (expensive!)-A function, --apodization=functionWindow audio data with given the apodization function. The functions are: bartlett, bartlett_hann, blackman, blackman_harris_4term_92db, connes, flattop,gauss(STDDEV), hamming, hann, kaiser_bessel, nuttall, rectangle, triangle,
tukey(P), welch.
For gauss(STDDEV), STDDEV is the standard deviation (0<STDDEV<=0.5).
For tukey(P), P specifies the fraction of the window that is tapered (0<=P<=1; P=0 corresponds to 'rectangle' and P=1 corresponds to 'hann').
More than one -A option (up to 32) may be used. Any function that is specified erroneously is silently dropped. The encoder chooses suitable defaults in theabsence of any -A options; any -A option specified replaces the default(s).
When more than one function is specified, then for every subframe the encoder will try each of them separately and choose the window that results in thesmallest compressed subframe. Multiple functions can greatly increase the encoding time.
-l #, --max-lpc-order=#Specifies the maximum LPC order. This number must be <= 32. For Subset streams, it must be <=12 if the sample rate is <=48kHz. If 0, the encoderwill not attempt generic linear prediction, and use only fixed predictors. Using fixed predictors is faster but usually results in files being 5-10% larger.-p, --qlp-coeff-precision-searchDo exhaustive search of LP coefficient quantization (expensive!). Overrides -q; does nothing if using -l 0-q #, --qlp-coeff-precision=#Precision of the quantized linear-predictor coefficients, 0 => let encoder decide (min is 5, default is 0)-r [#,]#, --rice-partition-order=[#,]#Set the [min,]max residual partition order (0.16). min defaults to 0 if unspecified. Default is -r 5.Format Options
- --no-adaptive-mid-side
- --no-decode-through-errors
- --no-delete-input-file
- --no-exhaustive-model-search
- --no-lax
- --no-mid-side
- --no-ogg
- --no-padding
- --no-qlp-coeff-precision-search
- --no-residual-gnuplot
- --no-residual-text
- --no-sector-align
- --no-seektable
- --no-silent
- --no-verify
- --no-warnings-as-errors
- These flags can be used to invert the sense of the corresponding normal option.
See Also
metaflac(1).
The programs are documented fully by HTML format documentation, available in /usr/share/doc/flac/html on Debian GNU/Linux systems.
Author
This manual page was written by Matt Zimmerman <mdz@debian.org> for the Debian GNU/Linux system (but may be used by others).
Referenced By
abcde(1),
Moon Flac Sport Test
graveman(1),
oggdec(1),
oggenc(1)
FLAC stands for Free Lossless Audio Codec. The codec and its reference libraries operate under the Berkeley Source Distribution (BSD) license, making it an excellent choice for lossless compression of tracks. FLAC source code and documentation can be found on its website.
Moon Flac Test Review
Follow these best practices for encoding FLAC files when sending them to Sonos players.
Moon Flac Test Full
- Include a seek table in file metadata—A seek table helps reduce the number of calls Sonos players make to the track host. We recommend a seek table with 1% resolution (100 entries) as this resolution halves the number of seek requests needed to stream FLAC. On a 6-minute stereo track with a blocksize of 4096, players make 1-2 requests with a seek table and 2-4 without. On a 25-minute track with identical parameters, players make 2-3 requests with a seek table, and 4-6 without.
- Include maximum & minimum frame sizes in streaminfo—You can improve seeking by including the minimum and maximum frame sizes. This size information allows the decoder to determine an average size per frame. See the FLAC documentation on streaminfo for details.
- Use a bit-depth of 16—While FLAC does support bit-depths from 4 bits to 32 bits, we only support 16-bit FLAC.
- Use at most 2 channels—We currently support only mono and stereo FLAC encodings, with the first channel being the left, and the second channel being the right. Follow the FLAC frame header specifications to determine which channel is which side.
- Use 44.1 kHz or 48 kHz sample rate—Sonos supports 16, 22.05, 24, 32, 44.1, and 48 kHz audio. We do not support anything higher, such as 96 kHz. For quality reasons, we do not suggest using encoding tracks in anything less than 44.1 kHz.
- Use up to a 32 KB maximum frame size—After evaluating our music partners who supply 24-bit we have determined that frame sizes are usually around 3-6 KB or 13-17 KB. With this in mind we decided on a 32 KB max frame size to work effectively across all Sonos products. To achieve this maximum Frame Size when encoding, use a blocksize such that the following equation is true: